![]() ![]() Both Burton and Taylor were married to other people at the time, and the photograph is an iconic example of the scandalous paparazzi photography that defines our understanding of the medium today.MULTI - OIL SPILL - OIL SLICK - IRIDESCENT - PAPARAZZI ACCESSORIES Taken in 1962, he used a long-lens camera to capture the two actors on a yacht off the coast of Naples. In fact, it was Geppetti’s infamous photograph of Richard Burton and Elizabeth Taylor sharing a private and intimate kiss that has fixed the photographer's status as a paparazzi legend. Both Burton and Taylor were married to other people at the time and the photograph is an iconic example of the scandalous type of paparazzi image that define our understanding of it today. Taken in 1962, he used a long-lensed camera to capture the two actors on a yacht off the coast of Naples. In fact, it was Geppetti’s infamous photograph of Richard Burton and Elizabeth Taylor sharing a private and intimate kiss that has fixed the photographer into paparazzi legend. Geppetti’s informal, personal shots of The Beatles perfectly capture the zeitgeist of the era. The editor of American Photo magazine described Geppetti as an 'underrated photographer', and his intimate photographs lay testament to this claim. ![]() There are over one million photographs in the vast archive of Marcello Geppetti’s enduring works. The scene, in which Anita Ekberg wades through the fountain in a dangerously seductive black evening dress, was to become one of the most iconic in modern cinema. ![]() The resulting images were published in the magazine Tempo Illustrato, and were consequently spotted by filmmaker Federico Fellini, who was inspired to write the anecdote into La Dolce Vita. The starlet took off her shoes and stepped into the Fontana di Trevi to relieve her aching feet, which Praturlon quickly captured on his Leica camera. His most famous legacy, however, came about entirely accident, when out walking through Rome with pneumatic actress Anita Ekberg. He was given the nickname 'Lux', because of the popular soap brand which, in its adverts, claimed to be “the choice of nine stars out of ten.” By 1949, Praturlon had started a successful career as an on-set photographer for the Italian film industry, even becoming personal photographer to Sophia Loren. Pierluigi Praturlon began his career as a photo-journalist, but got his first taste of paparazzi-style photography in 1947 when, by chance, he happened to catch reclusive starlet Greta Garbo on film in Rome. Jean-Luc Godard chose Secchiaroli as the on-set photographer for the film Le Mepris, and the resulting shots of Brigitte Bardot are simultaneously voyeuristic and intimate, hinting at the beginning of an era where celebrities would work in collusion with the paparazzi. The tenacious figure of Paparazzo gave us the term that is so familiar today, and boosted Secchiaroli’s career to the extent that filmmakers and stars began hiring him as their personal photographer. Secchiaroli garnered such a prominent reputation for his aggressive style that Italian film director and screenwriter Federico Fellini based the news photographer character 'Paparazzo' on him in the 1960 Italian comedy-drama La Dolce Vita. The ever-present sense of dynamism in the photographs was no doubt intentional, as he sped around Rome on his Vespa chasing celebrities for the elusive shot. His idea to sell photographs of celebrities to newspapers stemmed from the desire to make a bigger profit, and he began to stage uncomfortable confrontations with his celebrity prey. Italian practitioner Tazio Secchiaroli took his first photograph in 1941, capturing tourists and American soldiers on the streets of Rome. ![]()
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